These are exercises, limited to one half-hour start to finish, and done in oil. These first ones are on canvas board, but I have a big stash of Arches brand oil paper, a type of watercolor paper that resists the acid in linseed oil and is permanent when painted on with same. The paper is thinner, and easier to store, so I’ll be using that for a while. Until I run out, for sure, but I may just decide to stick with it. There’s a certain delightfully cruddy quality about painting in oil on paper. Oil has this reputation, at least for me, of historical preciousness, of a finicky requirement to work in a particular manner, in particular layers, Never mind that it’s simply the most fun painting medium out there. it has a psychological heft that can mess with your head, If you let it. The thing daily exercise painting lets me do is ignore the preciousness of oil and just use it as a tool.
This is a couple of bottles old enough to have become slightly translucent. Aside from the ovals of their bases and necks being an easy way to see if I’ve messed up the damn perspective, they’re a lot of fun to paint. My usual palette:
Gamblin Flake White Replacement
Utrecht Burnt Sienna
Any old brand of Ultramarine Blue
Utrecht Permanent Green Medium
Utrecht Cadmium Red Hue
Utrecht Cadmium Yellow Hue